L’eclisse (1962, dir. Michelangelo Antonioni) Michelangelo antonioni
After an initial meeting and with apparently growing affection, Vittoria (Monica Vitti) and Piero (Alain Delon) agree to meet again that evening on the same.
L'Eclisse, 1962 Great Films, Good Movies, Akira, Michelangelo Antonioni
English. Box office. ₤ 305 million (in Italy) L'Eclisse (English: "The Eclipse") is a 1962 Italian romance film written and directed by Michelangelo Antonioni and starring Alain Delon and Monica Vitti. Filmed on location in Rome and Verona, the story follows a young woman (Vitti) who pursues an affair with a confident young stockbroker (Delon).
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Une jeune femme (Monica Vitti) se sépare de son compagnon et a une relation avec un courtier en Bourse (Alain Delon), incarnation du monde matérialiste conte.
L’Eclisse Michelangelo antonioni, Movie posters, Film posters
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L'eclisse, 1962, Michelangelo Antonioni Photo Techniques, Photography
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L'eclisse. 1962. Directed by Michelangelo Antonioni MoMA
L'Eclisse: Directed by Michelangelo Antonioni. With Alain Delon, Monica Vitti, Francisco Rabal, Lilla Brignone. A young woman meets a vital young man, but their love affair is doomed because of the man's materialistic nature.
Monica Vitti ne L'Eclisse di Antonioni 474002 Movieplayer.it
The Eclipse denotes Michelangelo Antonioni 's flawless taste,and his powerful,virile instinct for strong compositions;this elegant and suave movie is one of the cinema's best pieces of poetry (I must also confess that I prefer this early,younger,"black and white" and peninsular Michelangelo Antonioni;he was 50 years when he made L'ECLISSE).Before he approached the '60s counterculture,Antonioni.
Enter the Void Michelangelo Antonioni’s "L’eclisse" on Notebook MUBI
Modern spaceship like structure blocking the sun- film's namesake. The Kenya apartment- everything so meticulously picked out- Delon's apartment, too later on—cold—superficial. The stock exchange set piece—Antonioni is saying how this is all so ridiculous—the awful moment of silence. Antonioni hates these people.
Michelangelo Antonioni, L'Eclisse, 1962
In the history of cinema, there have been several notable collaborations between a director and an actress over a series of films. Think of D. W. Griffith and Lillian Gish back in the silent era, Josef von Sternberg and Marlene Dietrich in the early 1930s, Jean-Luc Godard and Anna Karina at the time of the French New Wave. Without going into theories of the "male gaze," it may be said that.
"L'Eclisse" (M. Antonioni, 1962) La torre piezometrica dell'EUR
STUDIOCANAL and the Independent Cinema Office (ICO) are delighted to announce that a new digital restoration of Italian auteur Michelangelo Antonioni's langu.
DVDBlu Review L'Eclisse
L' Eclisse. 1962.1080p. Criterion. Bluray. 10bit.x 265. HEVC LION[ UTR] Video Item Preview
El Eclipse (L'eclisse), de Michelangelo Antonioni, 1962 Alain delon
Michelangelo Antonioni's L'eclisse (The Eclipse, 1962) opens rather enigmatically with the fatigued denouement of the relationship between the film's central protagonist, Vittoria (Monica Vitti), and her former beau, Riccardo (Francisco Rabal).With little dialogue exchanged between the characters, the breakdown of their love affair is unconventionally played out through unreciprocated.
L’Eclisse (1962) Little White Lies
Abstract: In Michelangelo Antonio's L'Eclisse (1962), Cold War Rome is conceived of as a sequence of controlling frames from which the camera seeks liberation. In the opening sequence a reversed picture frame vies with an electric fan in a modernist flat to convey the grueling endgame of a long-term love affair in terms of the conflict between traditional and contemporary art media.
Modern love is rubbish Antonioni’s L’eclisse BFI
But in L'eclisse, Antonioni started regarding Eros more positively, without the same overlay of guilt, and capitalism a little less monolithically as a vehicle for compromise or corruption. These changes become the first intimations of what appears to be a new attitude.
M. AntonioniL’Eclisse (1962) Italian Neorealism, Michelangelo
Michaelangelo Antonioni's 1962 masterwork concerns this human paradox, but also offers a commentary on what those "forces" may consist of. L'Eclisse says that the world is merely a distraction from the serious business of love, that walls, doors, jobs, clothes, streets, parks, trees, cars and pretty much all physical matter.
L'Eclisse 1962 Antonioni The Cinema Archives
Directed by Michelangelo Antonioni • 1962 • France, Italy Starring Monica Vitti, Francisco Rabal, Alain Delon The concluding chapter of Michelangelo Antonioni's informal trilogy on contemporary malaise (following L'AVVENTURA and LA NOTTE), L'ECLISSE tells the story of a young woman (Monica Vitti) who leaves one lover (Francisco Rabal) and drifts into a relationship with another.